Martin Audio Blackline X12 The Blackline X12 fulfils the requirement for a compact system that can deliver high sound levels — either as a stand-alone system or sup-plemented by a BlacklineX subwoofer. Featuring a 12” (300mm) LF driver unit and a 1” (25mm) exit compression driver on a user-rotatable horn, its 80° x 50° dispersion pattern is ideal for medium throw applications.
Martin Audio Blackline F12 The Blackline F12 is a high power, compact 2-way system with a 12” (300mm) LF driver and a 1” (25mm) exit compression driver mounted on a rotatable 80º x 50º constant directivity HF horn. It is the ideal choice for fullrange applications calling for an efficient, reliable workhorse that is equally suitable for fixed installations and quick deployment mobile operations.
Martin Audio Blackline X8 The Blackline X8 is an ultra-compact passive two-way system with an 8” (200mm)/2” (50mm) voice coil LF driver and a 1” (25mm) HF driver mounted on a 90° x 50° horn which can be easily rotated for horizontal or vertical orientation, depending on venue requirements. Its very small size gives no indication of its high output capability.
Martin Audio X118 The Blackline X118 is a compact, high performance subwoofer for use with BlacklineX Series full-range loudspeakers. It extends the low frequency operating range of the combined system to 42Hz and provides exceptional low frequency impact. It can be used singly, stacked or flown via integral M10 insets and features a long-excursion 18” (460mm)/3” (75 mm) voice coil driver in a compact reflex enclosure.
Martin Audio W8LM The Martin Audio W8LM is a mini line array enclosure designed to bring line array performance benefits to a variety of small and medium scale applications. It meets the need for a versatile, scalable system that can be flown or ground stacked for corporate events, theatres and indoor venues. It is also suitable as a delay system for large scale outdoor sound reinforcement.
Martin Audio WS218X The WS218X is a high performance sub-bass system designed for use with large scale systems, in both Live and Installed applications. Featuring a 1000 Watt 18" (460mm) drive unit with magnet structure and suspension engineered for maximum linear excursion.
Martin Audio Blackline H3+ The Blackline H3+ is a very high performance, all-horn, three-way system in a single, wide-bandwidth package. The drivers have been developed for improved performance in all bands. The Hybrid® low frequency section comprises a horn-loaded 15” (380mm)/4” (100mm) voice coil driver that is reflex loaded to extend the LF output to below the natural cut-off point of the horn. The LF driver features a water resistant cone and triple roll surround for increased excursion.
Yamaha TF-1 Digital Mixing Console 17 motor faders (16 channels + 1 master) 40 input mixing channels (32 mono + 2 stereo + 2 return) 20 Aux buses (8 mono + 6 stereo) + Stereo + Sub 8 DCA groups with Roll-out 16 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs 16 analog XLR outputs 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device 8 Effects and 10 GEQ
Yamaha TIO-1608 The Tio1608-D is a Dante-equipped I/O rack with 16 microphone/ line inputs and 8 line outputs.
Yamaha MG16XU 16-Channel Mixing Console Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” mic preamps 1-Knob compressors High-grade effects: SPX with 24 programs +48V phantom power XLR balanced outputs
Allen & Heath Zed24 16 mono channels Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ Stereo returns & playback
Behringer xenyx 802 Premium ultra-low noise, high headroom analog mixer 2 XENYX Mic Preamps 3-band EQs 1 post fader FX send per channel 1 stereo aux return Main mix outputs plus separate control room outout CD/tape inputs
DB Mark DP48 Mk IV 96K Hz sampling frequency, 32-bit DSP processoR. 4 inputs / 8 outputs Convenient use of function buttons on either front panel or the included software interface displays. 30 user-program parameters can be stored into the device. Parameters can be safely locked against unauthorized users or unwanted changes. 6 independent parametric EQ for the input/output. The gain range rises from -20 to 20 dB per band. The output channel EQ can be adjusted to act as a Lo-shelf or Hi-shelf.
Lab Gruppen FP3400
1700 watts per channel @ 2 ohms 1500 watts per channel @ 4 ohms 1100 watts per channel @ 8 ohms
Lab Gruppen FP2600
1200 watts per channel @ 2 ohms 840 watts per channel @ 4 ohms 430 watts per channel @ 8 ohms
600 watts per channel @ 4 ohms 400 watts per channel @ 8 ohms
Crown XLS 2002
1050 watts per channel @ 2 ohms 650 watts per channel @ 4 ohms 375 watts per channel @ 8 ohms
Legendary cardioid vocal microphone tailored to deliver warm and clear vocal reproduction. The product includes a stand adapter, brightened mid-range and bass roll-off, a pneumatic shock mount system, and a built-in spherical wind and pop filter.
Shure SM57 Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. Features include contoured frequency response for rich vocal pickup, background noise reduction, and a pneumatic shock mount system.
Dynamic cardioid microphone for speech and vocals with noiseless on/ off switch Clear reproduction with a high presence Consistent sound quality (varying distances, moving off axis) Handles high sound pressure levels Isolates handling noise, hum compensating coil Excellent feedback rejection Rugged metal housing